Tag Archives: The Long Weekend

Pages 43-47

14 Dec

Previous pages
1-4, 5-7, 8-9, 10-13, 14-17, 18-22, 23-27, 28-32, 33-37, 38-42


Next pages

Well, well, well! I made it to the next chapter … and so did you!
I shall put all of Friday into the one post next so that anyone who wants a recap can just read it right through if they want … and then carry on with the Long Weekend PART 2 – SATURDAY. Saturday is a lot more conceptual, and it presented some interesting challenges … but I’m a bit of a believer in the ability of comics to be able to convey some pretty complex concepts in really interesting ways … let’s see how it goes.

Incidentally, feel free to comment on this blog at the bottom, I think some of the topics contained in this comic covers some hot areas … (literally, figuratively etc) … It’d be nice to get some discussion going, I’ve received some nice feedback on facebook, I have no objection to nasty feedback or constructive criticism … or anything really. But if there are no comments at the end of it … ah well.

The Myth of Inanna’s descent into the Underworld

10 Dec

Inanna was the Sumerian goddess of sex and war, this is an adaption of her myth that I made as an insert into The Long Weekend in Alice Springs, just to flesh out the connection between modern day events and mythology from the ancient world. You can read more about Inanna / Ishtar on a wonderfully informative website named Wikipedia, she’s fairly interesting.

I also intended to include this as a way of playing around with different layouts and seeing what works and what doesn’t for future reference, there are a couple of pages that are failures, but on the whole I enjoy looking at these pages, not least of all because there’s LOTS OF NUDITY!! Just joking.

Images from the centre of Australia

7 Dec

Here’s some of the images that I took on several of my trips back to Alice, I needed a lot of reference material to build up enough of a sense of place in the Long Weekend. One of main aims was to flesh out the town a little as the central idea of the essay was about how a place can affect those that live in it, a sort of “pyschogeography” of sorts. Alice is often a town that affects people, passers through are often very taken aback at the obvious disparity in health and behaviour. Are often shocked at the obvious violence that occurs in the streets. People who live there are often bitter about it. The letter section of the Advocate newspaper often has overtly racist tones referring to “people who sleep in the park”. Everyone reading is aware of who the “people” are. The “drunks” etc … the euphemisms are unnecessary. People keep insisting that they have a right to feel safe in their homes. But, as all places on the edge are, the town is surrounded by an incredibly hostile and beautiful landscape. Ancient mountain ranges worn down to their nubs by time. Orange rock that is inflamed for that first ray of sun each day, gnarled trees, rocks, creatures, people. The spikes in the grasses slashes the tires of your bicycle three times on the way home from work, you have to push it along the stinking bitumen through the heat … bugger. 

Pages 38-42

4 Dec

Previous pages
1-4, 5-7, 8-9, 10-13, 14-17, 18-22, 23-27, 28-32, 33-37

Pages 43-47

Jeez!! What a spiteful woman Inanna is! I s’pose that’s the kind of gal that end up being the goddess of sex and war. Well, how does this all end? Surely a girl like this flips and flops a bit about what they want? Maybe Dumuzi stays dead forever? I’m glad she’s back anyhow, the world was missing having sex … and war … hmm, strange dichotomies in action here.

One of the things that the Long Weekend looks at is the link between past mythologies and the present.  Loosely speaking this echoes Jung’s concept of the archetypes and how they relate to structure of our psyche today. One might say that the idea of the Cultural Complex is the logical extension of this idea only it is as applied to a larger group of people, i.e. cultural groups and their behaviours. I shan’t go into this too much since greater minds have covered this in a few other places and I’m not a great person at explaining stuff like this in words … which is why I made a comic instead. The original essay of the Long Weekend in Alice Springs was contained in a book called The Cultural Complex which has numerous essays from all around the world. Each of them explores this idea in different ways, tries to articulate what it might mean for the modern world etc.

The idea goes some way in trying to explore why some culturals/national groups behave in certain ways. Historically it was not a well-covered concept. Jung postulated the idea but his example at the time was controversial – Wotan, the Germanic name for the Norse god Odin, and his possession of the German psyche in the rise of Nazism.

– “Wotan is a restless wanderer who creates unrest and stirs up strife, now here, now there, and works magic. He was soon changed by Christianity into the devil, and only lived on in fading local traditions as a ghostly hunter who was seen with his retinue, flickering like a will o’ the wisp through the stormy night. In the Middle Ages the role of the restless wanderer was taken over by Ahasuerus, the Wandering Jew, which is not a Jewish but a Christian legend. The motif of the wanderer who has not accepted Christ was projected on the Jews, in the same way as we always rediscover our unconscious psychic contents in other people. At any rate the coincidence of anti-Semitism with the reawakening of Wotan is a psychological subtlety that may perhaps be worth mentioning.”

excerpt from “Essay On Wotan” By Dr. Carl Gustav Jung (1946)

Understandably enough, the idea became somewhat stigmatised and has not really been expanded upon until very recently with the 2004 book The Cultural Complex. The introduction to this book by editors Tom Singer and Samuel Kimbles suggests that the end of the dual superpowers of Communism and Capitalism, the collapse of a binary world view after the fall of the Berlin Wall, has led us to recognise the diverse cultural conflicts that exist across the planet.

“Much of what tears us apart can be understood as the manifestation of autonomous processes in the collective and individual psyche that organize themselves as cultural complexes.” (T Singer and S Kimbles, 2004 from the Cultural Complex)

The story of Inanna’s descent into the Underworld is hinted at in the structure of the essay of Craig’s and I felt that it could be an excellent addition to the story in translating it into comic form. I felt that it would better set the scene for certain ideas that get explored later on, particularly in the second chapter – Saturday. 

Pages 33-37

25 Nov

Previous pages
1-4, 5-7, 8-9, 10-13, 14-17, 18-22, 23-27, 28-32

Next pages – 38-42

Holy mother of the world!! WHat the hell did Erishkigal do to Inanna!!! No more SEX? What will the world DO??? Play computer games until the end I suppose … hm, that’s a pretty good description of what I think limbo must be like.

Doing this section was a breath of fresh air for me after doing all the other pages of the Long Weekend which involve a lot of hatching and much more strict formatting and structure. These 13 or so pages I got to be a lot more stretchy and flexible and experiment with layout a lot more, they were also a lot quicker to draw (being a lot more cartoony) which was a lot of fun. Any ol’ comicer can tell you that it’s a slog to do long-form comics, so I’ll take all the variety I can get! The myth of Inanna is only alluded to in Craig San Roque’s original text for the Long Weekend, I just jumped at the opportunity to mix it up a little … there is a point to it, you might have to wait a little before it becomes more obvious.

A more pizzazzy title

25 Nov

Someone recently said to me that she thought I should change the name of the Long Weekend in Alice Springs to something a little more pizzazzy.

We could work-shop some suggestions such as

  • The Jungian Psychologist and the Infinite Sadness
  • The Complex Case (Get it??!!!)
  • How to write an academic article that’s not bloody boring
  • The Dark Night Returns
  • Watch Men and Women
  • Craig San Roque vs the World

She also recommended that I stick some scantily clad woman with large breasts on the front cover … which would sell in the hundreds of thousands … by the time the teenage boys got home and took the plastic off and opened it they would be incredibly disappointed , but with the law of retail returns in action – most of them couldn’t be bothered returning to the shop to get their money back and I WOULD HAVE MADE A KILLING.

There is a bit of nudity at one part … the Inanna part … perhaps i should just maximise that section … there is also a bit of male nudity at a similar part … I could market it both to those attracted to busty women and to those who’re attracted to fit lean young men (Adonis) … I think that might have covered a large proportion of the market … What do you think?

Old people

16 Nov

Here’s a couple of sketches I did whilst researching what I wanted to do with the Long Weekend. The old bloke was from a photo in an old anthropology book … I actually didn’t record which one, so I’ve forgotten, possibly a photo of Spencer’s … or Herbert’s … not sure now. The second one was a contemporary photo that was in the Age newspaper after the intervention occurred, again I didn’t record the photo’s information. I really liked trying to draw the shadows on the faces of dark skinned peoples in the starkly contrasting light of the desert, quite a challenge that I’d never tried before. I was concerned at the time that the challenge would be to still retain the humanity of the characters despite there eyes not being visible … I didn’t want them to seem like cartoony zombies just because there eyes were obscured, I still find that a challenge even though I’ve had a lot more practice now.

Pages 28-32 – Dog & Inanna

15 Nov

Previous pages
1-4, 5-7, 8-9, 10-13, 14-17, 18-22, 23-27

Next pages – 33-37

SO MANY QUESTIONS!!
Who the f*&% was that crazy maze-face guy???
Why’d the Long Weekend suddenly slip back a few millenium?
Where the HELL is this going?????

What the hell is Inanna doing in a place like HELL?
The answers to all that and more – in the NEXT PAGES (just wait a couple of weeks while I put some ink on them … be patient PLEASE!!)

Can someone tell Nick from Alice that that’s his car I’ve drawn in there – Emily! (changed the roof rack a little), my little homage to all the adventures that Emily and I had together … before Nick bought her off me.

If people are interested in Inanna (she’s the god of war and sex … so I think that just about covers everyone) and want to check her history out a bit more I suggest you look up Diane Wolkstein. Inanna is also referred to as Ishtar, and is somewhat of an analogue of other gods from different cultures such as Diana/Artemis, Demeter, Venus/ Aphrodite, perhaps Shiva from Hindu mythology etc.

Some pics of Alice … for inspiration’s sake

12 Nov

Well, here’s a couple of photos that I took of Alice in one of my many trips back there … the other one, the first one, is a photo of me in front of that impressive painting in Melbourne – at the NGV … it’s one of my favourite paintings of all time – it’s called Anewrlarr anganenty (big yam dreaming) and it’s by Emily Kam Kngwarray whose language group is Anmatyerr. I like standing in front of that huge canvas when I get the opportunity.

At the bottom is a sketch I did in Alice, based on a photo I took whilst walking around town collecting images for The Long Weekend.

Pages 23-27

7 Nov

Previous pages
1-4
5-7
8-9
10-13
14-17
18-22 

more pages in a week or so

Next pages – 28-32

These pages were amongst the first that I did, hence they have a slightly different look about them, but I’m fond of this section because it plays out like a slightly surreal joke (as will be evidenced by the next pages that I stick up which will complete this section). In the essay this part was called “Dog“.

Unfortunately for the format of this blog the impact of the ‘reveal’ (comic-term) is a little nullified. In printed book format the turning of the page from the two cluttered 9-panel pages over to the page of Gilgamesh and Enkidu (the King of Iraq and his slightly animalistic super-dude mate who reminds me no-end of Hanuman) should be a major turning point in the history of surrealism … but alas I think it is a little lost here. Oh well, we’ll see when we get around to printing a copy or two.

More comics from the mongrel-town will be forthcoming in a few weeks … ooo can’t wait.