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Follow Your Shadow

10 Oct

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13th Oct – 5th Nov

An exhibition of comic, cast and cartoon art at the Rosny Barn.
With artists – Scott Baxter, Alyssa Bernudez, Grace Garton, Paula Hatton, Joshua Santospirito, Paul Peart-Smith, Vivien Mason and Sarah-Jane Moore.

Opening – Thursday the 12th Oct, 5:30pm.
FREE, All welcome.

Artist talks – Saturday the 14th Oct, 2pm.
FREE, all welcome.

Student drawing competition – 13th Oct – 5th Nov.
FREE, students 18 and under.

Follow Your Shadow moves between surface and source. Curated by Dr Sarah Jane Moore, Tasmanian artists Scott Baxter, Alyssa Bermudez, Grace Garton, Paula Hatton, Joshua Santospirito, Paul Peart-Smith, Vivien Mason and Sarah Jane Moore collaborate to create a magical place of mystery, animation, exaggeration and intuition. The shadows we cast are explored through object, sound and space where cartoon meets comic, graphics meet sculpture and holograms meet playful projections. From Marvel to Minions, comic and cartoon art is all around us and is increasingly being recognised as an art form with both high artistic value and the power to communicate diverse stories. Join us and follow your shadow.

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October News

5 Oct
Hiya !

Upcomings and Goings
* 13th Oct -> 5th Nov HOBART *
I’ll have some art as part of a group exhibition of comic-art at the Rosny Barn in Hobart named Follow Your Shadow (see the image at the bottom). Opening part is from 5:30pm Friday October the 12th. I’ll also do an artist talk with some of the other artists on Saturday the 14th of October at 2pm, All welcome. Kid-friendly.

* Oct -> Nov INDONESIA *
Me and my tribe of graphic novelists will be in Jogjakarta for the second biannual Comics Art Workshop. Whilst we are in Indonesia we will be doing TWO DIFFERENT Read To Me comics reading events:
1) At Ubud Writers and Readers Festival in Bali (if that pesky volcano doesn’t blow it’s top), and
2) At Biennale Jogja, in Jogjakarta, Java.

Whilst I am in Indonesia I’ll also be manning the @Sawtoothers Instagram account if you want to follow and see all the great art things that catch my eye. Sawtooth is wonderful artist run gallery based in Launceston in Tasmania’s North.

* 16th November, Thursday -> MELBOURNE *
Talk (see the above promo image) – I’ll be in Melbourne to give a low-key talk about Sydney/Purgatorio at Squishface Studios in Brunswick at 8pm after their drawing class.

Sydney/Purgatorio
I feel like I should tell you a bit about my graphic novel project … but not too much, cos it’s going to take me a very long time to complete and if I talk about it too much you will be sick of it by the time it comes out … in maybe the year 2023 or whenever. This is the project that I’m taking to the Comic Art Workshop to get feedback on.

Comics take a long time … they truly do. And this one is more complex than any one I’ve ever done before. Craig San Roque wrote in “prose form” back in 2010, and it is a published piece in an academic journal. After I launched The Long Weekend in Alice Springs in 2013 I said to Craig “Hey Craig, if you have any short bits of writing, flick them my way and I’ll see if I think they’ll make a good comic”

Craig sends me a piece of writing which is about THREE TIMES AS LONG as the original version of The Long Weekend in Alice Springs …. honestly … what didn’t he understand about the word “short”??

I read it … hated it.

I quite was relieved “Great – won’t waste years working on that super long piece of garbage! … A few months after that I got a bit drunk at home after the Carlton Blues lost badly to someone (2013 was yet another lost year) … and reread Sydney/Purgatorio and realised that it was indeed quite brilliant. DAMNIT Craig!!!

I might tell you a bit more about it in about in another email in a few months time so I don’t take up all your day, the art on this page are from concept sketches I’ve been doing alongside the drafting work that I’ve been doing on it.  You can look at these process images on my Instagram if you like.

Thing to buy if you enjoy buying things
Graphic Novels
The Long Weekend in Alice Springs
Swallows Part One
I wanna be a travella: Sri Lanka (a nice little travel comic/sketchbook from my trip there)

 

Polly says WTF !!

22 Feb

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This is Polly … she’s millions of years old and is about 50 metres tall. She’s a bit cranky today … don’t piss her off.

April will be fun

24 Mar

04-April-tour-web

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Pics from the exhibition

11 Aug

Some pics from the other week at the opening of the Hobart exhibition on a weather-wild night
… it was freaking COOOoooOOOld.
So props to all those who came out.
Nice little opening – Chinotto enjoyed by all.
Suzy Cooper - TLW August 2014

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2014 08 August exhibition print single image

Giants and bunyips

14 Jul

 

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RIP Inflight, Long Live CONNIE

12 Jul

Please note – unedited – written on a phone – with cold fingers – I was bored – lonely – if there’s anything that needs editing – I’m not changing anything.

_____

I’m sitting in the Constance ARI gallery today … I’ve done this before. It’s cold. Not many people come in. But today’s different.

It’s not different because of Jemimah Dodd, whose got a big pile of ice-cream looking poop with topping colours sliding down it’s curves in the Paddy Lynn memorial space. It’s not different because of Laura Purcell who’s piece in the foyer space is highly evocative, but I’m still not sure of what. No, these two brilliant artworks are still brilliant – but they are brilliant right now – in the here and now. I’m thinking of something else today.

In the main space there is, in effect, two exhibitions. On the Western wall is the volunteers exhibition. Mostly board members current and past. Some excellent works by the people that put in long hours to keep this ship chugging along, alive and running, kicking and buzzing, on a month to month basis – even without funding now, same as it was a few years back. Matt Warren’s sound piece is … well I’m not sure how to describe it honestly. Jude Abell’s framed storm-fence wiring is a piece that is unique to her artistic language is identifiable that way – I know of no others who use such items in such a tone; Paula Silva’s Portugese text; all good stuff.

At the Southern end of the Western wall sits Anna Cox’s half-blind sketch of the board members of late 2012 Inflight ARI, let me see who I can recognise there – hmmm … ummm Rob OConnor, Ben Ryan, Nicola Smith, Nadine Kessler, Laura Hindmarsh, Matt Warren, Lucienne Rickards … I can’t tell who the others are, it’s a blind sketch after all, and I can’t actually recall who everyone was on the board at that time, only two years ago. That’s the problem I find with ARI’s, documentation is almost impossible, who remembers who did what, it’s all in the collective memory, and everyone forgets who remembers what, when, huh? But I recall some things myself, I’m sure half of them are wrong. I don’t mean to imply by all of this that all things that happen in Inflight are seminal and ought to be remembered, not at all. ARIs aren’t important in the GRAND scheme of things. But some things can be very very very very interesting. This picture of Anna’s was made just before Inflight carked it, just before Arts Tas got pissed at them for changing their name, bad branding decision they said (not really that long before CAST became CAT), just after they confused everyone in a spectacular way by staging a funeral for Inflight. That was pretty great art. That was pretty bloody fun stuff. Anna’s work comes some way in telling me why today is different for me.

On the Eastern wall … let’s call it the wall of the rising sun, though that’s a bit odd. It’s a bit odd as the metaphor doesn’t work for what on the wall … it’s more accurately the wall of exhibitions past, the wall of history. On the wall of the rising sun is a collection of posters from exhibitions past. I don’t know them all, some them predate Inflight’s move from Elizabeth Street behind the old Kaos Cafe and the Soak bar (everytime I talk about that place with anyone in Hobart, they all seem to say “Oh yeah, that old gay bar”). Some of the posters predate my existence in Tasmania in late 2008; Inflight was around a long time before “he” died and became a “she”.

Today is different because I stood in front of that wall and the history of this place came home a little.

In particular I saw Andrew Harper’s exhibition poster and invite card … from May 2010 – In The Hall Of The Mountain King. I remember that one, fucking triangles everywhere. It was glorious. One of my earliest clear memories of coming to Inflight, not knowing anyone, walking into the opening and getting stuck in a triangle frenzy. Nicki Smith’s show was in late 2012 just before the “change” set in on the gallery, her show bedazzled me and it was nice to see her on the wall of the setting sun as well with a piece from her incredible Bett Gallery exhibit from recent months. Even the posters themselves have a history to them which is separate to, and additive to, the existence of Hobart’s only transgender ARI. They made me scratch my memory …

Here’s a run-down of what I can see

Inflight ARI – Fly there, 2003-2011 – a beautiful poster of pure ecstatic whimsy, made by Nicci Smith at the arts school on a printing press

In 2012 you can see Nicci putting her beautiful personality onto the monthly exhibition posters where the artists didn’t supply an image;

Nadine Kessler’s extraordinary use of composition in the 2013 series and two posters that clearly are not Nadine’s which clearly attempt to continue her language;

Nadine and Nicci’s 2012 Inflight program on the tracing paper – genius, sheer genius;

The Team Textiles party was a great way to ring in the new year with a new baby CONNIE in 2013, and Paintface was a great party to ring in 2014.

Soundklubs and Tom Halls – lots more concerts these days, that’s good, that’s good, that’s good.

The different Inflight logo representations;

The Inflight Exchanges to Sydney in 2009, makes me think of all the other ones that weren’t represented here – Hell Gallery in Melbourne, Feltspace in Adelaide, millions of others I don’t know about.

2011 – Anthony Johnson’s mind-blowing exhibit Two Rights Make A Wrong

Amanda Shone’s INCREDIBLE piece from October 2011 – Atmospheric Relations, anyone remember that swing?? How the fuck did she not die setting that pyramid up in the space?

There’s the exhibitions of the main protagonists of Inflight/Connie in other Hobart institutions – Hindmarsh/Cook at the Long Gallery, Sound to Light with Cotterell et al.

Sarah Jones – You’ll always be my number one in 2012 before she buggered off to the land of O/S – strange weird dancing on a footy field. Great exhibition.

Neil Haddon – comPLETEly transformed the space in November 2012 – it was slightly insane.

I wish there was more posters from earlier than 2009, dating back to 2003 perhaps, but of course – Inflight only had a coordinator from around then, so its likely those exhibitions exist only in the memories of some, and as a line on some artist’s CVs.

Inflight killed itself, and consequently changed its name to Constance to provoke a discussion: what would happen if ARIs weren’t here. At the time it was the only ARI in town. Not long after this, the GST revenue went down for the state government, Arts Tas got less moolah, and the consequent shrinkage of public funding lost the gallery its funding for a director/coordinator and rent. Prophetic stuff really. Thankfully its still going on more volunteer labour, and it happens to no longer be the only ARI in town (shout out to the Arts Factory).

Today was nice … bloody cold in the gallery in Winter and I’ve only checked off 7 people who came in today, not including recent ex-board member Guy “Fawkes/Smiley/Man” Paramore who came to reinflate his raft-seat that got jumped on by kids at Thursday night’s opening. Memory is nice. Things happen here, it’s sort of incremental, but when you occasionally look back it occurs to you that its little boats like this that carry a community’s lives along … little life-boats … boats of our lives … this little life-raft is almost mundane. Almost … except when you look back you realise just how many “wows” it has given you over the years … every now and then it gives you a

… wow.