Tag Archives: Australian comics

Vulpes Vulpes

22 Mar

More of the Tasmanian fox … this picture was part of my visual ramblings in my sketch book whilst searching for themes for my exhibition coming up later in the year in Hobart.

Here’s the fox image I put up before … it was related to some of the many media articles I had been reading about the fox eradication program here in Tassie which is apparently the largest pest control program of its kind in any one area in the world. They use the unpopular 1080 poison which also tends to kill pets and other predators … in Tasmania that means the already heavily endangered tassie devils … and any tigers that may still be lurking … keep your eyes open and your mouths shut if you see one (tigers that is … open your mouth if its a fox).

The Sleuth Exhibition – process diary #1

13 Mar

Warning – art-wank!
Please note: To ensure all wank does not go by unmissed – all French words are in italics .

This post is going to be part of a slowly growing process diary where I will talk about some of the strange discoveries I have made whilst working on Sleuth … which is an exhibition of comics where I will be sticking up comics all around a gallery room. It is a big personal experiment in how comics might be able to work. If you’re interested in this post, then you might be interested in other places where people write art-wanky content about comics such as Australian Pat Grant’s website (just google him), international places such as the Inkstuds (radio show and website), and other places.

For the most part I have decided to make comics that are quicker to write and make, which largely means that there will be drawings of characters without much background details, relying more heavily on the words to give context to the characters. This is mostly so that the interplay between the different comics is where the action is felt by the reader / viewer.

Back-story – For the past few years I have been slaving away on the Long Weekend, which is graphic novel (non fiction comic … is that still called “novel”?) which is long slog … and my heart’s desire was to churn out some comics that were far more intuitive and less thought through. I came up with a loose idea for criss-crossing comics on a wall and applied for a spot at an artist run space (Inflight ARI) in Hobart and got a slot for November 2012.

Even though I still had more of the Long Weekend to ink I haven’t had much left to do in the way of decision making, I had pencilled out most of the last chapter and made most of the grand decisions so it was down to the stage which I like to think of as meditation – just inking away over pencils that had been decided upon a while back. That doesn’t mean there’s nothing left to decide at all … au contraire – inking is still a very malleable process, lots of things get decided then too … just no where NEAR as much decisions need to be made as the earlier layout and pencilling stages (at least not the way I do things).

SO – my grand master plan was to make something super quick and dirty, making lots of mini-comics, but they wouldn’t be designed for the page, they’d be designed to spread across walls!!

“That’s not a big deal is it?”

WELL – it means a whole different bunch of considerations must be made! Which is when my creative interest is piqued! ( I have a fairly restless mind that needs to be engaged, or I get mssively bored … hence the need for a new challenge that is different to last overly ambitious thing I tackled).

The first thing I decided to do was to make a rough plan of the gallery space, and draw what it could look like … this is before I’d done any writing per se. I then decided on some generalised themes that rattle around my obssessive brain – mostly with a slight Jungian bent to them such as psyche and spirituality in modern Australia, Australian history, particularly that of explorers who die in the pursuit of glory (a ridiculous Australian pastime) … I decided to use these characters that I had invented in 2010 that I had in this comic that I called the Department of Conversation – Paul and Mary … and old retired couple, the baby-boomers, the grey nomads. I decided a comic involving a meandering conversation between them might make for a good “spine” for the whole artwork, something simple to get it all started. I’m quite fond of these two, they’re quite warm and funny in an old-couple kind of way.

I decided after that that I should make a lot of my decisions on the fly as it would give the whole piece a much more improvised feel, which would make it a process of discovery for me … I would discover the links between unrelated comics myself, perhaps I won’t even realise them until afterwards when other people point out links that they’ve made.

I recall a conversation I had with Bernard Caleo in 2011 about non sequitar arrangements (that’s Latin, not French), if you place things next to eachother and show it to people, their brains are hard-wired to search for the link themselves, they assume that since you’ve shown it to them then there is a reason, if you haven’t explained it to them then they will make up their own reason. HOW INTRIGUING!! That’s how comics work … or at least in part. You show people two images, they actively create the link between them panel to panel … but what about story to story?? That’s one of the things that I’m exploring myself. If I stick up a whole bunch of comics that intersect at certain points, then people will assume there’s a link, (otherwise why would I have put them all together) and then they will search for the meaning behind it all … provided I’ve kept if vague enough then unforseen meanings can spring into being within the reader / viewer’s mind!!

Pages 65-68 (silent comics)

12 Mar

You are currently reading pages from Chapter two (of three),
– go here for the First chapter – Friday.
Previous pages in Chapter two – Saturday
– or go back to the beginning of Saturday.




By and large – the most enjoyable and satisfying part of doing a wordy comic are the silent bits.
Go here for the next pages – 69-72

I s’pose technically this comic is mostly silent bits as there is narration as written by the main character, which is separate from the images BUT the nicest bits to draw were the quiet parts with no words. I figure that it also gives the reader a bit of a reprieve and some silence to digest the intense flow of ideas, and perhaps what is happening. It also helps to remind me and the reader that the place this is set in is Alice Springs …and there’s lots of places and people floating in and around the desert-town in the worn-down nubs of the Macdonnell ranges.

Silent comics are not things that I’ve ever done much of … but there is a different focus when it’s about movement, action and dynamism are fun too … I haven’t had much of them in this comic … just a few moments here and there to punctuate the stillness, which reminds me living in Alice. Long weeks of seeming stillness, but acts of violence or extreme behaviour occurring in some strange symbiosis with the quiet. Perhaps that’s why I found the place so intoxicating – it’s … quite frankly … a surreal place to live.

When I flew or drove home to Melbourne from the desert to visit my parents, mum used to listen to me talking and tell me that I should “write this all down” because I would forget it. It was only in those moments that I realised that I had a pretty bizarre job and life in the outback. The humdrum of doing a job can fool you into thinking that everyone experiences things like you.

I just finished reading the USA’s Anders Nilsen’s monolithic Big Questions … I can almost not believe the world he created in that extraordinarily beautiful masterwork of comics … go and get it – it’s bloody big, but if you’re into silence and mood it’s truly magnificent.

Pages 61-64

2 Mar

If you’d like to read the first chapter in its entirety go here – Friday
Previous pages in this chapter (Saturday) – 58-60
Or go back to the start of Saturday

Next pages – 65-68.

So far I’ve managed to complete up to page 84: the end of Chapter Two: Saturday.
Today I begin inking the final chapter … I have to rethink the ending.

The first page here is one of the more important ones to my mind, philosophically speaking that is.
Analysing Indigenous peoples is a little beside the point in this and in many things.
Looking at all of us together, the places of our interaction is more the task at hand.

I suspect that one of the reasons that the topic of Indigenous people is such an explosive topic with so many people (i.e. we are so politically correct, so polarised, so angry on their behalf, so angry the opposite way) is because the majority of us in Australia have mixed feelings about our role in the current state that the large amount of Indigenous people live in. Our role as perpetrators is traumatic for us also. In harming others, we harm ourselves also. In denigrating others we debase ourselves. When people point out our awful deeds as Australians, we are quick to become defensive, quick to blame the victim, quick to place the responsibility elsewhere. I suspect we do this because of our collective sense of guilt.

This is a difficult thing to depict, I hope that my slightly imaginative way of doing is effective.

In many ways, drawing this comic has been my way of unpacking this sense of guilt out and finding a way to think about modern Australia.

Pages 51-57

10 Feb

First Chapter – Friday
For general synopsis and whatnot go to the menu bar at the top and click on The Long Weekend (Graphic Novel)
Previous pages in second chapter – Saturday


Next pages – 58-60.

These pages were endlessly interesting for me – doing lots of ridiculous research into Iraq and Lebanon … the map of Mesopotamia is incomplete as I haven’t had the time to look at Craig’s old map as of yet … but for the sake of people reading this I have put it up anyways. It’s at this part of the essay / comic that the scope of the ideas start to branch all over the planet. Perhaps those readers more accustomed the the Western application of archetypal behaviour will be more at home with the presence of Adonis and Inanna / Ishtar / Venus (and all the other goddess analogues you can think of). The drawings of Saddam Hussein were also fun to do … I checked on the web for photos of him and was a little shocked to find millions of copies of the video of his hanging available for anyone to have a gander at … well, I assume it’s not propoganda material and it’s real, happy to be corrected of course if anyone knows of the details of that video … anyway – I chose to use it, one of the flashes of cameras as he was swinging served as a good model for the drawing. i haven’t decided whether or not I wish to spell it out to the reader what it is they’re looking at or to just leave it as an image … though I appreciate that not all will get that that’s the same bloke as the picture above it with the poor Kurdish folks in the background. any thoughts, comments people? Please leave below.

Hope you’re all well.

Incidentally – Australian comics just got better with Pat Grant’s beautiful Blue now available!!

Drawings from The Barbarians – MOFO 2012

26 Jan

SO – I just finished being a part of the premiere season of the Barbarians as part of IHOS theatre – here’s lots of stuff that I drew whilst I was sitting around the set in the Hobart City Hall as part of MOFO 2012. I was in the Greek Chorus which didn’t involve much talking, but a lot of costume changes, the last of which  involved us ten blokes being draped in a necklace of offal and being squirted with genuine blood. I assure you that it was a very funny sight to see 10 grown men charging through the backstage area drenched in blood and only wearing their knickerbockers to get to one of the four the showers first. Bravo Constantine Koukias and bravo IHOS – it was tops! And well done to MONA for commissioning this very very very amazing production!

I made a zine of these drawings and others which I gave out to the cast, most people appeared to like it – so that was a success. As an aside, someone gave a copy to Amanda Palmer … hopefully she gives it to Neil Gaiman … who knows. Crazy!! We had sheep in the production … until they ran riot all over the set and placed their faeces and urine everywhere under our bare feet … This was the set they ruined … in city hall in Hobart. This is Ayrton and the donkey (who was far more professional than his sheepish counterparts). The soprano Grace Ovens who was great! The rappers in the show. 

Pages 47-50

8 Jan

Here is the beginning of the second chapter of The Long Weekend – It’s called Saturday.
If you’d like to read the first chapter it’s here – Friday

It has been written and designed to be read as a book rather than online so if you’re the patient sort then you can wait for another year or two whilst I finish off the pages and sort out options for publishing … or alternatively, if you’re the impatient kind of person and you have good connections in the publishing world – you could save me a whole heap of time and send me tips about who to approach.

Next pages – 51-57.

Incidentally, I suggest that some of you who might be interested should check out Palestine by Joe Sacco. It’s from the 90’s, but it suffers from chronic awesomeness. It’s quite related to the LW as Sacco studies the nature of colonisation referencing both Edward Said and Joseph Conrad’s Heart of Darkness; the latter being directly related to the second chapter of this comic right on this page. I haven’t gotten my dirty hands on Sacco’s new book – Footnotes in Gaza but here’s a good link with an interview with him about it.

Giants walk among us

4 Jan

One of the first in a series of drawings exploring some ideas for a big comics-based project I have in store for 2012 … the working title is “Sleuth”.

I’ll get stuck into it more when I’ve finished the Damned Long Weekend.

Cute Marsupials #1 – the Pademelon

2 Jan

Cradle Mountain Xmas

1 Jan

Here’s a comic from our trip with the German in-laws to Cradle Mountain in the North of Tasmanien last week. I have been to Cradle a few times but this was the first time I actually saw the mountain (i.e. it wasn’t covered in a blanket of cloud and fog and rain) … in fact, it was stunning … I think I can see now why it was made World Heritage Listed.

 

Lots of wombats, pademelons, Bennett’s wallabies, possums, we saw a potaroo (never seen one in the wild before) … and tonnes of skinks.