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exhibition statement

15 Apr

Reblogged from Nadine Kessler Art:

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Exhibition statement 'dies boot war hell rot'

© Nadine Kessler, 2013

This is Nadine Kessler's exhibition at Arts Tas which concluded just recently. I have an interest in these concepts, there is some cross-over with my work and my art. The artworks Nadine produced were challenging and playful and a large amount of people who saw it found it to be very engaging. Well done Nadine. More please.

Exhibition Launch @ 146 ArtSpace, Hobart

19 Mar

Reblogged from Nadine Kessler Art:

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d

The solo exhibition

DIES BOOT WAR HELL ROT

opens on March 14, 2013 / 5pm / at 146 Arts Space / 146 Elizabeth Street / Hobart / Tasmania

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This project is supported by

Supported by  Tasmanian Government grant Assistance to Individuals, Goethe Institute Australia and Nadine Kessler Design

Read more… 12 more words

Nadin Kessler, designer of the book - The Long Weekend in Alice Springs - has her exhibition on now at Arts Tas, 146 Elizabeth Street, Hobart.

Exhibition Feb 2013

17 Feb

Reblogged from Nadine Kessler Art:

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A typographical poster as part of the 'Glenorchy Open' a group show at the Moonah Arts Centre, February 2013

This is Nadine's typographic poster that is currently included in the Glenorchy Art Show. I'm quite a fan of Nadine's experimental type work.

Custom designed typeface for Museum

15 Aug

Reblogged from nkd blog:

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During my visit in Christchurch this typeface really stood out to me. It seemed to be an extremely versatile typeface, used in a clear uppercase version for signage, and can also occur more ornamental, for example for the use of cards. Looking closer, I discovered that there seemed to be more than one version of each characters (alternates), some more playful, others more clear.

Read more… 91 more words

An interesting blog from Nadine

Cute Marsupials #1 – the Pademelon

2 Jan

Sound Klub IV poster 2011

15 Sep

Poster illustration by Josh.

I based the drawings in this illustration on many of Norman Lindsay’s drawings and etchings. He was a powerful influence on me as a teenager (as a child through the Magic Pudding as well). I loved his angels and demons, the nude figures with gestural gestures (my newly coined phrase). The other aspect of this illustration was the images of hell that I enjoyed looking at in Volume one of the Sandman series, Dali’s drawings to accompany Dante’s L’Inferno, that I was lucky to see a few years back and lots of other more pop-cultural referencing stuff like Hellboy or stuff like that.

 

 

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