Archive | The Long Weekend RSS feed for this section

Translating comics

15 Feb

On Thursday of this week I’ll be presenting a talk in Hobart at the Tas Writers Centre – Adaptation, comics, cultures.

I’ll be showing some bits and bobs about the process of adapting an academic essay into a long-form comic, the trials, tribulations, headaches and successes. I found this process endlessly fascinating – grappling with this difficult beast involves the mechanics of both mediums involved – prose and comics. I’ll have a chat about the various things that you can and can’t do with both mediums, how emphasis changes and how meanings can shift as you reimagine the same content into a different form.

6:30pm at the meeting room at Salamanca Arts Centre, put on by the Twitch writers group with the assistance of the Tasmanian Writers Centre.

026

Media – Jan 2014

24 Jan

A few things lately
- David Nixon of ABC Open wrote a very affecting blog response to the graphic novel The Long Weekend in Alice Springs – I recommend you have a read, it’s good.

- Also The Long Weekend was included in Readings end of year list of 5 best GNs (in their opinion) which is exciting.

- Most exciting is that it also won an AWARD!

- On a different topic – I wrote this piece for the Meanjin website

2014 is looking busy … very busy – I’ll keep you all posted.

Blair McFarlane

23 Jan

Blair lives and works in Alice Springs – a local colour. He has worked for CAYLUS for a very long time and has been doing cartoons for a very very long timee. In May 2013, when I held the launch for The Long Weekend in Alice Springs – he came up to me with his sketchbook and showed me some responses to my work – the first one had me in hysterics … mainly because he nailed the experience of working out there so damn well … not certain who is going to get some of these cartoons … don’t care. The last one is about the local Alice Springs dreaming.

Blairius 01

Blairius 02

Blairius 03

Blairius 04

Comicoz Award

4 Jan

I was a bit surprised but very chuffed (I must say!) to find this morning that The Long Weekend in Alice Springs had been awarded the Comicoz Award for Best Australian Original Comic Book for 2013!

Thanks to Nat Karmichael and Comicoz – very much appreciated.

 

ARAS website

18 Dec

The ARAS website is now featuring The Long Weekend in Alice Springs!

The Archive for Research in Archetypal Symbolism (ARAS) is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The collection probes the universality of archetypal themes and provides a testament to the deep and abiding connections that unite the disparate factions of the human family.

The ARAS archive contains about 17,000 photographic images, each cross-indexed, individually mounted, and accompanied by scholarly commentary. The commentary includes a description of the image with a cultural history that serves to place it in its unique historical and geographical setting. Often it also includes an archetypal commentary that brings the image into focus for its modern psychological and symbolic meaning, as well as a bibliography for related reading and a glossary of technical terms.

You can buy The Long Weekend in Alice Springs at the SanKessto Publications website

The Long Weekend in Alice Springs

This is Craig San Roque’s intro to the graphic novel on the website“From my perspective as a depth psychologist, I see that those who have a connection with story are in better shape and have a better prognosis than those to whom story must be introduced – to have ‘story awareness’ is per se psychologically therapeutic. It is good for soul. Coming early with life it is already a perspective to life. One integrates life as story because one has stories in the back of the mind”
-James Hillman, A Note on Story in Loose Ends.

And what if one lives in a place that has stories already there in the backyards of the town. What if one lives in a town that sits in the midst of stories and at a location that is a site of ancient and sacred stories humming away in the back of the mind. What if the minds, hearts and bodies of the people who dwell there are overshadowed by the mountain, the rocks, the rivers, the trees that are embodiments of the stories, images, myths of the peoples who have lived there for millennia and live there still – under the influence of mythic actions, symbolic trees, rocks, mountains, even if those mythic actions, those scenes, have been shoved to the back of the mind.

Alice Springs, the town where I live, is one such place. It is a border town in arid desert regions in the center of Australia. It is 1,7000 km (1,000 miles) from the nearest cities. It was established maybe 130 years ago as an outpost of the British colonization of the Australian continent. It is built right smack on top of indigenous tribal lands of the Arrerente peoples. Alice Springs, as it is known in English, is also known as Mparntwe or Mbantua in the Arrernte Aboriginal tongue.

Like many other border towns in the Americas, Africa, and Asia where indigenous people meet the incoming rampage of another and different civilization, the original landforms of Mbantua (Alice Springs, Australia) embody the traditional mythological stories of the people. The mountain range surrounding the town embodies a mythic creation story. The rocks and trees and river in Arrernte myth are living presences exerting mental influence. Mythic creatures and stories animate the landscape. You walk out your front door and you can see the story of the Dog embedded in the mountain range; walk out your back door and you can see the trees that represent mythic women dancing in ceremony. The townsfolk live in ancient time and in real time in a most interesting, continuous and yet ordinary way. It is this notion of depicting intersecting realities that The Long Weekend in Alice Spring attempts.

-Craig San Roque

Kieran Finnane – 2013 Lofty Award Winner

9 Dec

I’m super pleased that Kieran has been awarded the 2013 Lofty Award in Alice Springs at Watch This Space artist run initiative. She has been an important arts writer in Central Australia, giving the whole scene such a considered and careful focus. Below is the article she wrote about The Long Weekend in Alice Springs in May of 2013 – the original can be read here. You can see here an example of her poetic criticism which is constructive and positive in a manner which is rare in arts writing.

Haunting excursion into Alice’s psyche

<!–

–>

Review by KIERAN FINNANE

The cover of The Long Weekend in Alice Springs suggests that the story between its covers will be road trip. And it is one, of sorts. You won’t find these roads on any map but they will lead you into the byways of this desert place, reaching back through history into stories of origin, reaching out through darkness, real and metaphoric, into stories of now.

The starting points are several, all at once. There’s the meeting of Joshua Santospirito and Craig San Roque, a young man and an older man, one a psychiatric nurse with a drawing gift, the other a psychologist with a lyric gift. There’s a campfire and in its flickering light, a woman in mourning. Her husband has died but her grief goes deeper than this. There’s a book of quite a different order, Jungian explorations of the contemporary world, and a request for San Roque to make a contribution.

So, setting out from the meeting of the two men, for the sake of simplicity in this text, with its limited means of typed words on a screen, destined for a journalism site. These are limits that The Long Weekend is marvellously liberated from, due to its form as a ‘graphic novel’ or ‘comic’ (words that don’t quite rightly describe it); due to Santospirito’s artistry; due to the soaring and delving of San Roque’s mind and pen. 

Santospirito, frustrated and raw from his experience of working in remote mental health, met San Roque, seasoned by long years of the same, but also resilient from a deep nourishment – as we learn from his essay at the end of the book – by Jungian psychoanalysis, thought and practice. San Roque gave Santospirito some of his writings, including an essay, ‘A Long Weekend in Alice Springs’, his contribution to The Cultural Complex: Contemporary Jungian Perspectives on Psyche and Society, edited by Thomas Singer and Samuel L. Kimbles (Brunner-Routledge, 2004).

There was no sudden illumination that explained everything or showed a way forward but Santospirito found the writings “somehow useful” and began to draw his way into San Roque’s ‘Long Weekend’.

He takes us to the campfire in San Roque’s backyard and in just a few deft black and white images envelopes us in the thickness of this night, the deep well of loss that has brought Manka Maru to this point, by this fire.

He draws ‘Craig’ at his desk, wrestling with the task of writing an Australian perspective for The Cultural Complex, wrestling with the very concept of how a cultural complex operates – easier to detect looking at another culture, harder to detect in your own culture.

Craig’s door opens into the backyard. It’s Friday and Warlpiri family from the bush join Manka Maru. They’ve come in for the footy match; among them, a young man damaged by petrol sniffing, one of many in Craig’s professional care. The visitors interrupt Craig’s concentration but it’s a fruitful interruption: he will find his way into thinking about cultural complexes by describing what happens on this long weekend.

Some of what happens is eventful in a road trip kind of way – like going hunting with the Warlpiri visitors who arrive in increasing number. Some of it is eventful but bleak as Craig, the ‘shrink’, goes about his work, in the court, at the hospital, by the roadside where a man, who believes he is the King of Iraq, is sitting in his car with his three-day dead dog on the back seat. This episode kick starts the deeper journey, a haunting, at times thrilling excursion into our psychological inheritances.

Is the ‘King of Iraq’ a refugee from another time, Craig asks himself. And his mind wanders to the mythical Middle East and the story of Inanna’s grasping, ruthless attempt to bargain with death. (Santospirito’s drawing and mise en scene make the story wonderfully vivid.) The cure for some our ills would be an “assurance of immortality”. It’s part of what Craig knows the King needs. But short of that, what?

Craig remembers his meeting with an old Warlpiri man who told him to mind his own stories. That counsel fell on fertile ground, for Craig / San Roque is deeply in love with story, alive to the unfolding stories around him, to the ancient stories, the ones carried forward in our classical Western culture, the ones from the Aboriginal “dreaming system” (in so far as they have been shared with him). “The human psyche loves processing its own thoughts,” Craig thinks. If we lose the ability to do this, we “fall helplessly out of being.”

This has happened to Teresa to an extreme degree. Craig visits her in the psych ward. She’s trapped in a “cannabis-induced psychosis” but it’s more than the cannabis, more than the petrol that preceded it, and her scarifying life experiences. “Something in the cultural lobe of her brain allows her psychic demise.”

Cultural memory offers resilience in face of the tides of history. Craig picks up a male friend, Amos, to join him on the hunting trip with the Warlpiri women and children. Amos is of middle European and Jewish lineage – a strong bloodline in dispossession. Around the campfire, cooking lizards, Napaltjarri tells the children, black and white, about the travels of Malu (kangaroo) from up North.  Amos and Craig sit to the side – Craig’s still wrestling with his writing task and enlists Amos’ help. They try tracing some travels of their own, the big shifts of people from their lands in Europe. Amos suggests that the Gypsies and the Jews were less vulnerable to the cultural breakdown this caused because they’d “learned to use cultural memory in a special nomadic manner”.

We are introduced to the ancient Arrernte stories of Alice Springs, particularly the wild dog story, inscribed in the local landscape. The dog came through Ntaripe (Heavitree Gap), attacked the incumbent male, ravaged the mother and puppies. The Mount Gillen ridge and much of the land on the western side of the river were formed by the activities of the dog. Alice Springs is built on this mythic event, a dogfight and a rape. “Serious dark men might whisper the details.” This is part of the psychological inheritance of those to whom this cultural memory belongs – as well as those in the “overlap”, as Craig describes it, between Aboriginal and non-Aboriginal cultures: “Sites do things to people.”

When memory is encoded in sites and song-cycles, as it is in classical Aboriginal culture, and the links to these are broken, depression and malaise follows. This is affecting (to greater or lesser degrees) all who live in contemporary Alice Springs – not just in the shadow of broken Aboriginal songs, but in the shadow of non-Aboriginal people’s own cultural disconnections as well as the contradictions between the Christian and colonising projects that are the foundation of our nation. If I’ve understood it rightly, cultural complexes get people stuck in this brokenness and this contradictory space.

“We can save ourselves with imagination.” It’s the closest thing to a ‘solution’ that can be put between inverted commas. And the book enlists us at every page into acts of imagination through the alchemy of Santospirito’s and San Roque’s gifts. Some of Santospirito’s drawings are exceptional in their emotional power, and the multi-layering through space and time that the comic book form allows makes for rich story-telling. Combine this with San Roque’s poetics, the depth of his thought, and the heart of both men, and you have a book, a travel guide for our place and time. Read it and you’ll never think about the town’s ‘social problems’ in the same away again. Read it and you’ll never look at Alhekulyele (Mount Gillen, the nose of the ancestral dog) in the same way again.

At present, The Long Weekend in Alice Springs is also an exhibition at Watch This Space in George Crescent. It shows the comic book in the making, the drawings that appear in its pages and more, as Santospirito worked on his adaptation. Until June 7.

Adelaide Launch Sat 30, 3pm

20 Nov

Adelaide – Diarise it!
SAT 30/11/2013, 3pm at the SA Writers Centre in the city.
To be launched by Jennifer Mills who is an awesome novelist who resides in the Clare Valley.
Joshua Santospirito will be at the launch to sign any copies you might like.
The book will be available at Imprints Booksellers afterwards for anyone who can’t make it to the launch and who wants a copy of the book before Christmas – or you can go to the Sankessto website and nab a copy from there.
web 2013 Nov-Oct Book tour

Recent stuff

3 Nov

Heya – things have been fun lately … but busy.

I flew to Sydney last week for the NSW booklaunch of The Long Weekend in Alice Springs at the Museum of Contemporary Art. It was launched by both Pat Grant and Dr Anne Noonan. Immediately after that I went upstairs in the MCA and attended the great Blood & Thunder anthology event where the comic artists did great comic-readings and presentations of their work.

AND this week I did a presentation of the same book in Hobart at the infamous Museum of Old and New Art (MONA) as part of the Emerging Writers Festival Roadshow (see image below).

November 30 – I’ll launch the book in Adelaide  - HOW EXCITING! I haven’t been to the city of Churches in yonks! I’m a big fan of their botanical gardens. Jennifer Mills will launch the book for South Australia!

EWF 2013

Image

SYD Launch – Thurs 24

22 Oct

web 2013 Nov-Oct Book tour

Flying home

16 Oct

20Fly-homeFlying home

That’s the end of my sketchbook/quick comics from our trip to FNQ – hope you enjoyed them.
I’ll be quiet now …

no, wait … I won’t -
NEXT WEEK I’m IN SYDNEY FOR THE BOOKLAUNCH OF “The Long Weekend in Alice Springs”
at the MCA at 6pm – Pat Grant and Dr Anne Noonan will launch the book!

How Excitement!!

Here’s the poster – other events coming up TOO!!
web 2013 Nov-Oct Book tour

Follow

Get every new post delivered to your Inbox.

Join 413 other followers