The next element of Sleuth comes together in Island Magazine #137 – out NOW.
Josh will PERFORM the comic (yes, he will perform it) at tonight’s Drink and Draw at the Arts Factory as part of Her Majesty’s Favourite Really Great Graphical Festival
The next element of Sleuth comes together in Island Magazine #137 – out NOW.
Sooo many things happening recently it’s been insane!! But FUN!
Went to Darwin for Wordstorm, hung out with Nicki Greenberg, Bernard Caleo, Simon Hanselmann and Pat Grant – and many other writers and had a merry old time! And I received this prize!
Then I stopped in Melbourne to talk on a panel at the Emerging Writers Festival about publishing.
Now I’m back in Hobart about to organise Her Majesty’s Favourite Really Great Graphical Festival – which is totes rad! Starts Thursday!
ALSO – I have some pieces in Island Magazine #137 – which is out now. I’ll be performing one of these pieces on Friday at Her Maj’s festival.
A review by Joshua Santospirito of Fluid Prejudice
Various artists, edited by Sam Wallman
Published by Glass Flag 2014
Cover image Tom O’Hern featured in Island 135
I don’t know if anyone recalls an incredible serialised comics piece published in Meanjin in 2008-09 titled Their Hooks Hold Deep in Our Flesh: written by Kate Fielding and involving artists Clint Cure, Mandy Ord, Ben Fox and Elizabeth McDowell.
It arose out of the context of Rudd’s apology and it detailed a number of histories of the Portland area of the Great Ocean Road since colonisation. Fielding’s foreward stated ‘a generous, critical and impassioned engagement with our shared histories is both the joy and responsibility of all people’. Fielding and co. walked the talk; Hooks sang songs of history in multiple styles, formats and sources to create an unusual critical historical account woven from multiple voices.
Six years is a long time in the small but rapidly maturing world of Aussie comics. It’s 2014 and Melbourne’s Sam Wallman has willed a remarkable anthology of history-comics into existence entitledFluid Prejudice. ‘The very ink with which history is written is merely fluid prejudice,’ said Mark Twain. The focus of this anthology is under-represented and marginalised histories. Historical narrative shifts focus, not only because of the stories being told, but because of those who hold the pen. Perhaps the corrective biases of those whose ink flows in these pages will hold the mainstream narratives to account.
For the full article – please go to the ISLAND MAGAZINE WEBSITE (Subscribe while you’re at it).
Cover image – Tom O’Hern
Buy Fluid Prejudice at Glass Flag Press
Her Majesty’s Favourite Really Great Graphical Festival
The Southernmost Tasmanian graphic celebration in the NATION!
2014, June 5–8
Hobart is filled with artists – we know… we all read the census report. We went to the museum and it was very nice (it was very lovely thankyou Lord Berriedale). But frankly, I think we’d all like to bloody well see more cartoons. More kids books! MORE COMICS! Where have the illustrators all been hiding?
Her Majesty has decreed that it is high time that her favourite Australian state, Van Diemen’s Land, celebrated its own zines, illustrators and comic-makers. She has has graciously allowed these festivities to be the fanfare to her own birthday celebrations in the state capital of HobART.
The festival is filled with fun events that showcase some mighty Hobartian artists that don’t often get to see the light of day. Artist talks, performances that combine visual graphics and sound, comic-launches and events that let you all have a crack at drawing things yourself and making your own publications! Jump over the program page to have a look.
Her Majesty’s Artist in Residence for 2014 will be Sir Tony Thorne of Dynnyrne. In honour and recognition for his patriotic fighting in the trenches of artistic endeavour. He’ll be performing, talking and presenting at three of Her Favourite events and sharing his wise wisdom with all. “Hail, Sir Thorne”
Friday May the 23rd – pre-festival event
Arts Forum at UTAS College of the Arts – Josh Santospirito (festival creator/organiser) gives a talk on his award-winning graphic novel The Long Weekend in Alice Springs. He’ll talk about the adaption process and other elements to do with long-form comics. Dechaineux Lecture Theatre, Tas College of the Arts, 12:30-1:30pm. Free, open to the public. FACEBOOK EVENT
Wednesday May the 28th – Pre-festival special event
Rachel Tribout launches her first picture book
CAPTAIN BLUEBERRY’S – MONSTERS OF TASMANIA
to be launched by Jon Kudelka
@ Fullers Bookshop, 5:30pm – free event. FACEBOOK EVENT
Basically, all you need to know is that this is a very special book.
Thurs June 5
A Thousand Words- 6pm
Illustrators talk night – great projects and graphics, a great opportunity to have a look at the illustrating process with the artists themselves doing the show and tell. Short animated films will also knock ya socks off.
Featuring Sir Tony Thorne, Sam Lyne, Gay McKinnon, Christopher Downes, Hiiragi, Rex Smeal, Paul Peart-Smith, Tom O’Hern and Sarah Catherine Firth.
Constance ARI, 100 Goulburn Street, enter with a single gold coin donation.
Bar open on the night, proceeds to Constance gallery.
Friday June 6
Drink & Draw – 5:30pm
Graphics … Performances … drinking … drawing … !!
Performances from Tony Thorne & Joshua Santospirito.
Come down to TMAG for a drink and have a crack at some drawing with some of the artists. The TMAGgots will be manning the bar. A TMAGgots event at TMAG, Dunn Place, free entry
Saturday June 7
Blood and Bone by Tom O’Hern – 6pm
Tom O’Hern made a bloody comic. He did it as part of Sankessto Publication’s Down There series of Tasmanian Comics. There’ll be speechies from Tricky Walsh. There’ll be booze, there might be cheese, there’ll be all of youse, and there’ll be meeze.
Hobart Bookshop, Salamanca Place, free
An Extraordinary Sequence of Events – 8pm
In a paper theatre, pages come to LIFE. From the heartbreaking illustrations of Tasmania’s favourite masterpiece Last Days of the Mill, to the ecstatic whimsy of Captain Blueberry – you’ll love this night. It’ll be filled with extraordinary events! One might be particularly interested in the matching of fine, popular, fine artist Robert O’Connor with the chaos of Danielle Page’s Noise outfit – Kovacs. The night will be finished off with a macabre and heartwrenchingly bloody tale of murder on the banks of the River Derwent – Downes/Santospirito present a MONA FOMA favourite – The Shipwright & the Banshee!!
* The Shipwright and the Banshee by Christopher Downes & Joshua Santospirito (MONA FOMA 2013)
* The Last Days of The Mill by Tony Thorne & Pete Hay
* Captain Blueberry’s Monsters of Tasmania by Rachel Tribout
* Rob OConnor & Kovacs
at The Grand Poobah, 142 Liverpool St. Entry $8-
Sunday June 8
The Small Press Zine Fair
Bands, zines, comics, workshops, zines, creativity, zines
Imagine a world where everyone made their own publications … imagine it – right NOW! … crikey, I think we’ve DONE IT – All the zine-makers of the Southern Hemisphere are descending upon the Poobah for this afternoon of swap/buy/give/show-off all their zines and publications. They make awesome presents for yourself and for your Mum, and for you brother, and his girlfriends.
A WALLOPPINGLY fun afternoon, 1-5pm, at The Grand Poobah, 142 Liverpool St. free entry. FACEBOOK EVENT
Information for Zine stall-holders: No registration required, BYO card-table, crate, table-cloths etc. Set up on the day, jump on a table with someone you’ve never clapped eyes on before – AUTOMATIC BFFs!
- Also The Long Weekend was included in Readings end of year list of 5 best GNs (in their opinion) which is exciting.
- Most exciting is that it also won an AWARD!
- On a different topic – I wrote this piece for the Meanjin website
2014 is looking busy … very busy – I’ll keep you all posted.
This project is bloody great … bloody great – you must have a look at the Crowd-funding campaign TODAY!!
I was a bit surprised but very chuffed (I must say!) to find this morning that The Long Weekend in Alice Springs had been awarded the Comicoz Award for Best Australian Original Comic Book for 2013!
Thanks to Nat Karmichael and Comicoz – very much appreciated.
Nadine Kessler, book designer of The Long Weekend in Alice Springs (amongst many more books) was interviewed by Paige Turner on the radio the other week – on the Edge Radio BOOKSHOW.
The ARAS website is now featuring The Long Weekend in Alice Springs!
The Archive for Research in Archetypal Symbolism (ARAS) is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The collection probes the universality of archetypal themes and provides a testament to the deep and abiding connections that unite the disparate factions of the human family.
The ARAS archive contains about 17,000 photographic images, each cross-indexed, individually mounted, and accompanied by scholarly commentary. The commentary includes a description of the image with a cultural history that serves to place it in its unique historical and geographical setting. Often it also includes an archetypal commentary that brings the image into focus for its modern psychological and symbolic meaning, as well as a bibliography for related reading and a glossary of technical terms.
You can buy The Long Weekend in Alice Springs at the SanKessto Publications website
This is Craig San Roque’s intro to the graphic novel on the website“From my perspective as a depth psychologist, I see that those who have a connection with story are in better shape and have a better prognosis than those to whom story must be introduced – to have ‘story awareness’ is per se psychologically therapeutic. It is good for soul. Coming early with life it is already a perspective to life. One integrates life as story because one has stories in the back of the mind”
-James Hillman, A Note on Story in Loose Ends.
And what if one lives in a place that has stories already there in the backyards of the town. What if one lives in a town that sits in the midst of stories and at a location that is a site of ancient and sacred stories humming away in the back of the mind. What if the minds, hearts and bodies of the people who dwell there are overshadowed by the mountain, the rocks, the rivers, the trees that are embodiments of the stories, images, myths of the peoples who have lived there for millennia and live there still – under the influence of mythic actions, symbolic trees, rocks, mountains, even if those mythic actions, those scenes, have been shoved to the back of the mind.
Alice Springs, the town where I live, is one such place. It is a border town in arid desert regions in the center of Australia. It is 1,7000 km (1,000 miles) from the nearest cities. It was established maybe 130 years ago as an outpost of the British colonization of the Australian continent. It is built right smack on top of indigenous tribal lands of the Arrerente peoples. Alice Springs, as it is known in English, is also known as Mparntwe or Mbantua in the Arrernte Aboriginal tongue.
Like many other border towns in the Americas, Africa, and Asia where indigenous people meet the incoming rampage of another and different civilization, the original landforms of Mbantua (Alice Springs, Australia) embody the traditional mythological stories of the people. The mountain range surrounding the town embodies a mythic creation story. The rocks and trees and river in Arrernte myth are living presences exerting mental influence. Mythic creatures and stories animate the landscape. You walk out your front door and you can see the story of the Dog embedded in the mountain range; walk out your back door and you can see the trees that represent mythic women dancing in ceremony. The townsfolk live in ancient time and in real time in a most interesting, continuous and yet ordinary way. It is this notion of depicting intersecting realities that The Long Weekend in Alice Spring attempts.
-Craig San Roque