Sleuth travelled to Alice Springs with me recently as well … he seems to fly off to all parts of the country, leaving no stone unturned … he really wants to get to the bottom of this malarkey: what the FYKE is garn ON ‘ERE!???
Below shows Ivan Brackic in Tenterfield (briefly). I am currently working on a 20 page Brackic story for the upcoming Tasmanian comics series Down There. It’ll be done in July.
This is the Numbat’s tale
Below is the Bunyip of Borrolloola and the beginning of the Dept of Conversation
At the top of the next image you will see the God-sequence … with God being played by Stephen Kernahan
This is the Sleuth wall in it’s almost entirety.
Some readers on opening night over near the Sleuth wall. The rest of the gallery was filled with The Long Weekend in Alice Springs exhibition.
Some images from the exhibition that is currently in Alice Springs at Watch This Space gallery of the art from the graphic novel along with development sketches and earlier version of pages and other bits and bobs.
Exhibition dates – May 10 to June 7
This event was a crazy success … in excess of 100 people attended and bought books and scurried around the artworks all evening!
Thanks so much to Watch This Space, Craig, Nadine and everyone who helped, big shout to Brendan and Naomi for lending us their house and car whilst they visited their family in Fiji – made life a lot easier having all of that! Thanks!! xo
There’s a booklaunch coming up in Melbourne too!! So if you live in that fine city – then perhaps you should turtle down to READINGS on the evening of THURSDAY THE 30th of May at 8pm!!! And join myself and Bernard Caleo for the Melbournian launchio!!
But – here’s some images of the Alice SPRONGS launch!
Here’s Craig doing a quick reading of the comic
Here’s an enraptured crowd
Here’s a couple of young scallywags checking out the Sleuth exhibit to the side of the main exhibition.
Here’s some people milling around … see? They’re milling.
The book in the below image is WHY they’re milling around.
Here’s the price-list of things to buy on the night
At Documenta in 2012, the most interesting piece I came across was this historical oddity by Charlotte Salomon. It is a Gesamtkunstwerk of sorts, an ambitious fusion of visual art, poetry and perhaps other hidden artforms by a young Jewish German women who eventually found herself in Auschwitz. The entire work was made in 1941-42 and is a series of about 760 gouache paintings that retell the story of numerous suicides in her family, mostly women on a background of suggested abuse. It was mostly in German which I found difficult to fully understand (my German not being up to scratch despite being married for a number of years now to a beautiful German lass) but the intense visuals were quite astounding. I realised very quickly that this kind of artwork, which was laid out in a series of cases (as you’ll see in the images below), was a form of comics. It also happened to coincide with the period where I was organising the first of the Sleuth series of exhibits, which mostly involved me using entire sheets of paper as panels for comics that were to spread across walls. I found it very interesting indeed. I must get my mitts on a copy of the book of these images.
I have taken down the Sleuth exhibition today – it has hung for a month and the Closing night concert – Sound Klub 7 was a bit of a smash hit – grateful to all who helped and to Reuben Ingall, Paul Heslin, Matt Warren and Nick McCorriston for performing!
This is The Academic from the Sleuth series.
He’s kind of a cipher for me … reading books trying to comprehend Australian things in an overly poetic and slightly unintelligible manner.
pardon? Acousmatic Ecology part 2 by Drive West Today
- a new album/collection from Drive West Today which is a free download from Bandcamp.
Drive West Today has been expanding over 2011 and 2012 to encompass more than just the cinematic experience of listening to sound. Joshua Santospirito’s guitar is more and more placed into textural compositions that contrast silence to clicks and bursts of sonar.
The recordings in the Acousmatic Ecology series are a document of one moment in a long slow exploration of stops and starts and counterintuition. All aimed at creating stillness within a maelstrom of anxiety and the elevation of the soul in the midst of confusion, attempting to take the listener into the performing experience.
The second part of acousmatic ecology becomes more minimal than the first (Acousmatic Ecology pt I – a query) but it continues further along the same line of explorations that were opened up by that collection of works.
released 01 July 2012
all music improvised by joshua santospirito
recorded and mixed by Ryan Lynch from scrapbook studios
May-June Hobart, Tasmania, Australia
released 26 November 2012
Music – Joshua Santospirito
Recorded by Ryan Lynch at scrapbook studios – May 2012
30 - Hobart
I have organised the Sound Klub gig at Inflight Art Gallery on November 30, 8pm at the closing of both my exhibition Sleuth, and the exhibition of Neil Haddon.
- come down to see Reuben Ingall, Paul Heslin, Transmission (Nick McCorriston).
Free entry and there’ll be a bar run by the happy gallery board members.
December – tour with Reuben Ingall & Paul Heslin & Transmissions
Friday 7 - Sydney AV Union, 365 Parramatta Road, Leichhardt, New South from 8pm
Sunday 9 - Canberra House show – 22 Burnside St Watson from 5pm
SO – me exhibition SLEUTH down at Inflight Art Gallery (100 Goulburn St, West Hobart, Tasmania) is winding up this week. To celebrate you can come to this concert that I done the poster for – At Inflight – main space from 8pm!!
If you can’t make it to the gig – you can still catch the exhibition from Wednesday to Friday 1pm to 5pm at the gallery!
Time of concert changed to 8pm so you can scurry up from the CAST end of year member’s show up to Inflight ARI.
Installing the Sleuth exhibition has been interesting … and took a lot longer than I thought … but I should’ve known since in some cases I was putting up each individual panel from a comic on the wall separately.
Here’s a picture of the Box of Virtue
The process of installing (which I suspected from the beginning) would help me edit out those comics that didn’t work. I had 17 comics in total as part of Sleuth … and a few got the cut. One consideration that I hadn’t fully considered which became blindingly obvious when I was in the space was that a few of the comics which I had as part of the broader Sleuth concept were written not for the wall, but for the page. I had written one comic about a giantess called the Waldheimerin (she had been sleeping in Dove Lake at Cradle Mountain in Tasmania, near the Waldheim). It became obvious that pages with a few panels on them just didn’t work in this setting. The ones that were easiest to read across a wall were quite simply – the ones that I had designed to be read that way … perhaps that seems obvious now … but I had simply assumed that it would be workable to place comics that were written for books to be read across a wall if arranged or cut up and rearranged perhaps. So they got the cut. I still had the Long Weekend Intro which I felt had a personal element that I wanted as part of the show but this was also written for the page – my only solution to being able to keep it was to put it on the outside of the Paddy Lyn Memorial space as a lead-in to the exhibition so it’s clunkiness didn’t detract from the rest of the exhibition. The Waldheimerin is still in the zine, which is kind of nice to have some of the comics already part of the ongoing Sleuth project rather than having them all on the walls just for the sake of having them there.
Here’s a photo of one of the versions of God – Stephen Kernahan
One interesting thing I forgot to mention from the process was the fact that since having a comics exhibition is a relatively untried area – I don’t know how much the average viewer is willing to invest in reading a comic. As a consequence I made a decision right from the beginning that this fast drawing comics was the way to go, since I felt that pace had to be relatively quick to keep the viewers interested. It isn’t like a book which they have sat down with and have intuitively committed to reading the pages more patiently – this particular exhibition would have people potentially walking in who have various expectations only to be met with art that requires some attention span, possibly a format that they were not anticipating
… therefore I needed some comics to have plenty of hooks, some humour to keep them interested in staying for longer and reading the rest and deciphering the overall feel of it. I don’t know if I was successful, I’m not sure at all … the larger images of the giants were part of that, the single images on the roof of the footy players may actually give the viewers cause to think that it is a normal exhibition that you just look at single images and then walk out if you don’t get it – they may indeed be confusing to the whole intention of keeping people in. But of course – you can’t always retain every art goer in a room, but the aim was to retain as many as I could. The ARI allows for this experiment to fall a little flat so I went in with full gusto into at least giving it a crack … Most people who went in on the first day said that it was quite engaging, and easy to engage with – which is promising!!
November 2012 – I unveiled the beginnings of what I hope to be a long-term evolving project … which no doubt will change and grow and occasionally drop off the face of the planet for a while. It’s basically my BOOK 2. I probably have enough comics to fill a book … but if I were to make a book out of them – they’d all be different sized pages and wonky and the binder would want to kill me.
As part of this ongoing project I have also made the first SLEUTH ZINE !
Which can be purchased here for $AUD 5- +postage (within Australia that’s only 60 cents, outside Australia please add $AUD 1.50).
At the artist talk – I yakked on about comics-form, content … Sleuth came into being, answered some questions … asked some.
Here’s some photos from the the artist talk at the Exhibition opening from November 3rd, 2012.